The Female Emotions and Images in Northern Shaanxi Folk Songs
- 1 Foreign Languages School, Yulin College, Yulin, China
Abstract
Northern Shaanxi Folk Songs are an indispensable part of the lives of Northern Shaanxi people. To date, more than 8000 Northern Shaanxi folk songs have been collected and recorded from various sources such as old newspapers and folk song collections, inheritors of folk songs, etc. These document the love, emotions, and attitudes of Northern Shaanxi people toward life. Women are the central figures in songs shaped by a society where they were considered inferior to men and constrained by strict feudal norms. This study analyzes anthologized lyrics to explore the female images and emotions expressed in Northern Shaanxi folk songs. This research focuses on Northern Shaanxi Folk Songs and employs a combined method of qualitative analysis (through narrative and discourse analysis of the song lyrics) and semi-structured interviews. I argue that love plays a dominant role in northern Shaanxi women’s lives. However, regarding these women’s devotion to the revolutionary cause, they are qualified with the Chinese saying that women can hold up half of the sky. The image of women in Northern Shaanxi folk songs is positive. The songs provide valuable resource materials for understanding women in Northern Shaanxi Province and the land these people live in.
- China Weather Net (2023). An Introduction to Yulin City. http://www.weather.com.cn/cityintro/101110401.shtml
- Fang, M. (2007). Aggression and Fight—Where There Is Depression, There Is Rebellion. Politics, History and Geography for Middle School (The Ninth Grader), No. 3 , 65-72.
- Gibbs, L. S. (2021). Going Beyond the Western Pass: Chinese Folk Models of Danger and Abandonment in Songs of Separation. Modern China, 47, 178-207. https://doi.org/10.1177/0097700419860417
- Guo, S. (2023). The Years and Days When Liu Zhidan Fought in the Northwest of China. The Happenings in Redstone, No. 10, 28-35.
- Hegel, G. W. F. (1979). Aesthetics (Second Volume in Chinese) . The Commercial Press.
- Jarus, O. (2018). Massive Pyramid, Lost City and Ancient Human Sacrifices Un earthed in China . Silk Roads World Heritage. http://www.silkroads.org.cn/portal.php?aid=15412&mod=view
- Ji, X. (2018). The Crudeness and Beauty of Northern Shaanxi Folk Songs . Yulin Daily. http://www.360doc.com/content/18/0304/18/45262611_734246330.shtml
- Jiang, M. (2016). An Introduction to Chinese Folk Music . Shanghai Music Publishing House.
- Lan, B. (2020). A Discussion of “Fù (赋, Narration), Bĭ (比, Comparison) and Xìng (兴, Affective Image)”. Contemporary Students, 27, 40-41.
- Li, X. (2014). A Selection of 700 Northern Shaanxi Folk Music Pieces. Culture and Arts Press.
- Liu, X., & Cheng, L. (2022). Starting from the Traveling Songs. Journal of Yan’an University, 44, 101-106.
- Long, Y. (2015). Xintianyou /Notes of Examination on Northern Shaanxi Folk Songs . Shaanxi Normal University Publishing House Co. Ltd.
- L ǚ , Z. (2009). Folk Songs: Northern Shaanxi . Ningxia People’s Publishing House.
- Ma, W. (2012). A Brief Study of the Transformation of Ancient Chinese Women’s Social Status. Journal of Lanzhou Institute of Education, 28, 23-24.
- Sun, H. (2011). New Textual Studies and Criticism on the Views toward the Chastity in Ancient China . Ph.D. Thesis, Heilongjiang University.
- Wang, H. (2009). Voice from the Northwest . Culture and Art Publishing House.
- Wang, Z. (2006). On the Gradual Degradation of the Ancient Chinese Women’s Social Status. Journal of Kangding Ethnic Teachers College, 21, 64-67.